He measured the length of the building along the front of the separate area behind it, with a gallery on each side, a hundred cubits; he also measured the inner nave and the porches of the court. The thresholds, the latticed windows and the galleries round about their three stories, opposite the threshold, were paneled with wood all around, and from the ground to the windows (but the windows were covered), over the entrance, and to the inner house, and on the outside, and on all the wall all around inside and outside, by measurement.read more. Share Your Faith Products
Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around.read more.
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Architectural sculpture was another important feature. Column statues and reliefs of figures from the Old Testament, as well as depictions of Christ and other members of the Holy Family, were commonplace. Gothic sculpture developed in a series of small creative steps. First came an increased realism, visibly different from the rather wooden look of the Romanesque idiom; then we see more graceful figures with soft drapery; then figures with a solid, upright appearance, with more restrained gestures. Finally came figures with dainty postures and thick drapery hanging in long V-shaped folds. Among the greatest sculptors were Nicola Pisano (c.1206-1278) and Arnolfo di Cambio (c.1240–1310). Christian Canvas Art
From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes.
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus). Scripture Art
He made 300 shields of beaten gold, using three hundred shekels of gold on each shield, and the king put them in the house of the forest of Lebanon. Moreover, the king made a great throne of ivory and overlaid it with pure gold. There were six steps to the throne and a footstool in gold attached to the throne, and arms on each side of the seat, and two lions standing beside the arms. Twelve lions were standing there on the six steps on the one side and on the other; nothing like it was made for any other kingdom. All King Solomon's drinking vessels were of gold, and all the vessels of the house of the forest of Lebanon were of pure gold; silver was not considered valuable in the days of Solomon. Share Your Faith Products
Ravenna remains the best single source of surviving mosaics. These include: Christ as the Good Shepherd mosaic (450, Mausoleum of Galla Placidia); the Baptism of Christ mosaic (6th century, Arian Baptistery); the Queen Theodora mosaic (547, Basilica San Vitale); Christ Before Pontius Pilate mosaic (550, Sant'Apollinare Nuovo, Classe). In Istanbul, see the floor mosaics (400-550) at the Imperial Palace; the South Gallery mosaics (c.1260) in Hagia Sophia; and the Dormition of Mary mosaic (1310, Church of the Chora Monastery). Elsewhere in the Byzantine Empire, see the mosaics at Hagios Demetrios (650) in Saloniki; and the outstanding early 12th century apse mosaics in Torcello Cathedral, Venice. Share Your Faith Products
Only one major innovative example of Christian church architecture was built in Europe during the 19th century - the Sagrada Familia, Barcelona (1883), designed in a highly decorative neo-Gothic style by Antoni Gaudi. Celebrating the Holy Family and the mysteries of the Catholic faith, this extraordinary church with its tree-like formation of vaulted structures includes five towers and twelve campaniles. Made of stone and concrete, the building is embellished in parts with ceramic tiles, pompom finials and numerous sculptures, but is still not completely finished. Gaudi himself was inspired by the Arts and Crafts movement and was associated with the Catalan Modernista school. Scripture Art
Belonging to the Romanticism wing of German 19th-Century art, the Nazarenes were a group of idealistic Vienna-trained painters, whose spiritual pictures recalled German medieval art and early Renaissance painting. Leading members included Friedrich Overbeck, Franz Pforr, Wilhelm von Schadow and Julius Schnorr von Carolsfeld. They were dubbed Nazarenes because of their biblical dress, long hair and devout way of life. Share Your Faith Products
A Psalm of David. The Lord is my shepherd; I shall not want. He makes me lie down in green pastures. He leads me beside still waters. He restores my soul. He leads me in paths of righteousness for his name's sake. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies; you anoint my head with oil; my cup overflows. ...
For I want you to know how great a struggle I have for you and for those at Laodicea and for all who have not seen me face to face, that their hearts may be encouraged, being knit together in love, to reach all the riches of full assurance of understanding and the knowledge of God's mystery, which is Christ, in whom are hidden all the treasures of wisdom and knowledge. I say this in order that no one may delude you with plausible arguments. For though I am absent in body, yet I am with you in spirit, rejoicing to see your good order and the firmness of your faith in Christ. ... Share Your Faith Products
Stained glass production was concentrated in centres like the Rhineland (Germany) and in the Ile de France and Poitiers. Framed for the first time in lead, designs were based on strong colour contrasts (blue, intense reds, yellow). (See also: Stained Glass Art: Materials, Methods.) Famous examples include glass windows like: The Prophet Hosea (1130, south wall of Augsburg Cathedral); and The Crucifixion of Christ (1165, Poitiers Cathedral). Murals were used - as in Byzantine churches - to educate the illiterate churchgoer. Styles were typically dynamic and animated, while Spanish artists created Romanesque murals with a mixture of Spanish and Islamic art. Sculpture appeared mostly on the exterior of churches, in a rather static or wooden style. The most famous Romanesque artist was probably the sculptor Gislebertus (1120-1135), known for his relief work on the portals of
The Lord said to Moses, “See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. ...
The Orthodox Church of Constantinople, which enjoyed greater stability within the surviving Eastern Empire was key in commissioning imagery there and glorifying Christianity. As a stable Western European society emerged during the Middle Ages, the Catholic Church led the way in terms of art, using its resources to commission paintings and sculptures. Christian Gifts
Until the legalization of Christianity in 313, early Christian art was relatively scarce. It included fresco painting on the walls of some of the catacombs (burial sites outside the city walls), and "house-church" meeting places; a number of simple architectural designs for structures (martyrium) erected over the graves of martyrs; and a number of sarcophagi, carved with various emblems or reliefs of Jesus, Mary and other biblical figures. In these early times, when Christians were still being persecuted, most Christian Roman art remained (literally) part of an underground culture. What's more, Christianity (along with the imagery used to symbolize or illustrate it) was still evolving from a secret society (whose images were intelligible only to the initiated few) to a public organization (whose imagery was understood by all). Thus, to begin with, Christian painting and, in particular, early Christian sculpture used motifs from both Roman and Greek art: the image of "Christ in Majesty", for instance, derives from both Roman Imperial portraits and portrayals of the Greek God Zeus. It took centuries for Christian iconography to be standardized, and to harmonize with Biblical texts. Christian Canvas Art
See what kind of love the Father has given to us, that we should be called children of God; and so we are. The reason why the world does not know us is that it did not know him. Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is. And everyone who thus hopes in him purifies himself as he is pure.
Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ... Scripture Art
"You shall make two cherubim of gold, make them of hammered work at the two ends of the mercy seat. "Make one cherub at one end and one cherub at the other end; you shall make the cherubim of one piece with the mercy seat at its two ends. "The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat.read more.
Mosaic art was the most important feature of Byzantine art for almost a thousand years: comparable with sculpture in Ancient Greece, the painted panel of the Northern Renaissance, or the altarpiece in 16th century Venice. Shimmering in the candlelight and sometimes decorated in gold leaf, these exquisite glass jigsaws were governed by rigid rules as to colour, size and composition, mosaics had two key aims: to beautify the house of the Lord (and overawe the spectator), and to educate illiterate worshippers in the Gospel story. The individual mosaic pieces (tesserae) were often deliberately set unevenly, to create movement of light and colour. Christian Gifts
He made two cherubim of gold; he made them of hammered work at the two ends of the mercy seat; one cherub at the one end and one cherub at the other end; he made the cherubim of one piece with the mercy seat at the two ends. The cherubim had their wings spread upward, covering the mercy seat with their wings, with their faces toward each other; the faces of the cherubim were toward the mercy seat.
Ravenna remains the best single source of surviving mosaics. These include: Christ as the Good Shepherd mosaic (450, Mausoleum of Galla Placidia); the Baptism of Christ mosaic (6th century, Arian Baptistery); the Queen Theodora mosaic (547, Basilica San Vitale); Christ Before Pontius Pilate mosaic (550, Sant'Apollinare Nuovo, Classe). In Istanbul, see the floor mosaics (400-550) at the Imperial Palace; the South Gallery mosaics (c.1260) in Hagia Sophia; and the Dormition of Mary mosaic (1310, Church of the Chora Monastery). Elsewhere in the Byzantine Empire, see the mosaics at Hagios Demetrios (650) in Saloniki; and the outstanding early 12th century apse mosaics in Torcello Cathedral, Venice. Share Your Faith Products
Stained glass production was concentrated in centres like the Rhineland (Germany) and in the Ile de France and Poitiers. Framed for the first time in lead, designs were based on strong colour contrasts (blue, intense reds, yellow). (See also: Stained Glass Art: Materials, Methods.) Famous examples include glass windows like: The Prophet Hosea (1130, south wall of Augsburg Cathedral); and The Crucifixion of Christ (1165, Poitiers Cathedral). Murals were used - as in Byzantine churches - to educate the illiterate churchgoer. Styles were typically dynamic and animated, while Spanish artists created Romanesque murals with a mixture of Spanish and Islamic art. Sculpture appeared mostly on the exterior of churches, in a rather static or wooden style. The most famous Romanesque artist was probably the sculptor Gislebertus (1120-1135), known for his relief work on the portals of Christian Canvas Art
He measured the length of the building along the front of the separate area behind it, with a gallery on each side, a hundred cubits; he also measured the inner nave and the porches of the court. The thresholds, the latticed windows and the galleries round about their three stories, opposite the threshold, were paneled with wood all around, and from the ground to the windows (but the windows were covered), over the entrance, and to the inner house, and on the outside, and on all the wall all around inside and outside, by measurement.read more. Share Your Faith Products
During the development of Christian art in the Byzantine Empire (see Byzantine art), a more abstract aesthetic replaced the naturalism previously established in Hellenistic art. This new style was hieratic, meaning its primary purpose was to convey religious meaning rather than accurately render objects and people. Realistic perspective, proportions, light and color were ignored in favor of geometric simplification of forms, reverse perspective and standardized conventions to portray individuals and events. The controversy over the use of graven images, the interpretation of the Second Commandment, and the crisis of Byzantine Iconoclasm led to a standardization of religious imagery within the Eastern Orthodoxy.
"You shall make two cherubim of gold, make them of hammered work at the two ends of the mercy seat. "Make one cherub at one end and one cherub at the other end; you shall make the cherubim of one piece with the mercy seat at its two ends. "The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat.read more. Share Your Faith Products
Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost. Christian Canvas Art

The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Christian Canvas Art
Fewer churches meant less sculpture and less ecclesiastical decoration. But some new works did appear, such as Christ the Redeemer (1926-31), the huge soapstone statue overlooking Rio de Janeiro, in Brazil. Designed by Heitor da Silva Costa, and sculpted by Paul Landowski, it is the largest Art Deco statue in the world. Other noteworthy pieces of modern Christian sculpture include: Tarcisius, Christian Martyr (1868, Musee d'Orsay, marble) carved by Jean-Alexandre-Joseph Falguiere; Genesis (1929-31, Whitworth Art Gallery, Manchester) and Adam (1938, Harewood House), both by Jacob Epstein. Christian Gifts
“See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. And behold, I have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan. And I have given to all able men ability, that they may make all that I have commanded you: ... Christian Gifts
David built houses for himself in the city of David. And he prepared a place for the ark of God and pitched a tent for it. Then David said that no one but the Levites may carry the ark of God, for the Lord had chosen them to carry the ark of the Lord and to minister to him forever. And David assembled all Israel at Jerusalem to bring up the ark of the Lord to its place, which he had prepared for it. And David gathered together the sons of Aaron and the Levites: of the sons of Kohath, Uriel the chief, with 120 of his brothers; ... Share Your Faith Products
Being Cleansed From SinSittingLikenessExpiationGod Made Visible In ChristGod's Glory RevealedPerfection, DivineGospel, Historical Foundation OfAdoration, Of ChristGod Is TranscendentLight, SpiritualExaltation Of ChristChrist's NatureAccuracyRevelation, In NtHoliness, Believers' Growth InGlory, Revelation OfGlory Of GodDivinity Of ChristEarth, God SustainingSelf ImageImage Of God Christian Canvas Art
Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ...

He made 300 shields of beaten gold, using three hundred shekels of gold on each shield, and the king put them in the house of the forest of Lebanon. Moreover, the king made a great throne of ivory and overlaid it with pure gold. There were six steps to the throne and a footstool in gold attached to the throne, and arms on each side of the seat, and two lions standing beside the arms. Twelve lions were standing there on the six steps on the one side and on the other; nothing like it was made for any other kingdom. All King Solomon's drinking vessels were of gold, and all the vessels of the house of the forest of Lebanon were of pure gold; silver was not considered valuable in the days of Solomon.
Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, to devise artistic designs, to work in gold and silver and bronze, in cutting stones for setting, and in carving wood, for work in every skilled craft. And he has inspired him to teach, both him and Oholiab the son of Ahisamach of the tribe of Dan. ...
Please note: Although the exquisite framed and unframed Christian art prints, posters, and canvases displayed in our online Christian art gallery portray strong traditional family values, biblical themes, and God's wonderful creations; not all of the artwork is Christian. Since we have partnered with art.com and allposters.com who carry a vast inventory of secular artwork, please use discretion when searching for art. Share Your Faith Products
Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost. Scripture Art
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