Designed by Sir Christopher Wren, St Paul's is a Church of England cathedral which stands on the site of the original church, founded in 604. The seat of the Bishop of London, the cathedral was constructed as part of the major rebuilding program overseen by Wren, following the Great Fire of London. Its 365-foot high dome is one of the best-known sights of London.
As it was, Byzantine architecture achieved its distinctive forms during the life of Justinian, who built four major churches in Constantinople, including: the Basilica of Saints Sergius and Bacchus (begun 526); the Basilica of Saint Irene (begun 532); the Basilica of the Apostles (536-46) - whose design was replicated in St Mark's Cathedral in Venice - and the greatest of all, the Basilica of Hagia Sophia (1532-37) (converted to a mosque in 1453, now a museum). Crowned by a massive dome whose weight was carried to corner piers by revolutionary concave triangular sections of stone, called pendentives, and decorated throughout with gold mosaics and multicoloured marble, the Hagia Sophia was the culmination of Roman architecture and a huge inspiration for later buildings throughout the Middle East, including the Sultan Ahmed Mosque. Christian Canvas Art

As it was, Byzantine architecture achieved its distinctive forms during the life of Justinian, who built four major churches in Constantinople, including: the Basilica of Saints Sergius and Bacchus (begun 526); the Basilica of Saint Irene (begun 532); the Basilica of the Apostles (536-46) - whose design was replicated in St Mark's Cathedral in Venice - and the greatest of all, the Basilica of Hagia Sophia (1532-37) (converted to a mosque in 1453, now a museum). Crowned by a massive dome whose weight was carried to corner piers by revolutionary concave triangular sections of stone, called pendentives, and decorated throughout with gold mosaics and multicoloured marble, the Hagia Sophia was the culmination of Roman architecture and a huge inspiration for later buildings throughout the Middle East, including the Sultan Ahmed Mosque.
King Solomon was king over all Israel, and these were his high officials: Azariah the son of Zadok was the priest; Elihoreph and Ahijah the sons of Shisha were secretaries; Jehoshaphat the son of Ahilud was recorder; Benaiah the son of Jehoiada was in command of the army; Zadok and Abiathar were priests; Azariah the son of Nathan was over the officers; Zabud the son of Nathan was priest and king's friend; ... Christian Canvas Art
The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus). Scripture Art
Now King Solomon sent and brought Hiram from Tyre. He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze; and he was filled with wisdom and understanding and skill for doing any work in bronze So he came to King Solomon and performed all his work. He fashioned the two pillars of bronze; eighteen cubits was the height of one pillar, and a line of twelve cubits measured the circumference of both. read more. Scripture Art
It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds.

Huram also made the pails, the shovels and the bowls. So Huram finished doing the work which he performed for King Solomon in the house of God: the two pillars, the bowls and the two capitals on top of the pillars, and the two networks to cover the two bowls of the capitals which were on top of the pillars, and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the pillars.read more. Christian Canvas Art
The house that I am to build will be great, for our God is greater than all gods. But who is able to build him a house, since heaven, even highest heaven, cannot contain him? Who am I to build a house for him, except as a place to make offerings before him? So now send me a man skilled to work in gold, silver, bronze, and iron, and in purple, crimson, and blue fabrics, trained also in engraving, to be with the skilled workers who are with me in Judah and Jerusalem, whom David my father provided.

In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ...
Late Gothic sculptors, based in Germany during the 15th and early 16th century, produced a burst of exquisite Christian wood-carving in a series of spectacular triptych altarpieces, never since equalled. Noted for the emotion of their expressionist figures, These master carvers included Michael Pacher (1435-98), Veit Stoss (c.1447-1533), Tilman Riemenschneider (c.1460-1531) and Gregor Erhart (c.1460-1540). See: German Gothic Art (c.1200-1450).

Byzantine art, that is the art of the Eastern Orthodox Church - the form of Christianity that emerged in Constantinople (previously called Byzantium, now called Istanbul), headquarters of the Roman Empire in the east - was the first category of Christian art to really blossom. An expression of the theocratic state that it represented, Christian Byzantine art specialized in architecture, mosaic art, mural and icon painting. Byzantine artists also excelled at items of jewellery, goldsmithing and ivories, and produced the earliest illuminated manuscript, or codex.


The rapid rise of Arab power during the 7th century and the consequential economic difficulties suffered by the Byzantine Empire, led to a reappraisal of Arab culture and Islamic art. During the 8th century (726-787) and the 9th century (814-842), this culminated in two "Iconoclasms", when a ban was imposed on all figurative artworks. This went down very badly with Byzantine mosaicists. Many emigrated to Rome who were firmly opposed to Iconoclasm. Others, paradoxically, went to Arab cities where they produced some of the finest ever abstract mosaics. See, for instance, those in the Islamic Dome of the Rock (688-91, Jerusalem) and the Great Mosque (715, Damascus). Scripture Art
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