What does the Bible say about creativity? The very first verse of Scripture actually describes a creative act as "God created the heavens and the earth." Additionally, from Genesis, the Bible says, "God created man in his own image." This could be interpreted as we are creators just as God created us. We create relationships, art, homes, cities, nations and many more things including inventions even yet to be known! The creative spirit is certainly favored by God and our fellow man. Learn more from the collection of Bible verses about creativity below!
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD. Scripture Art
The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Christian Canvas Art
Romanesque architecture had to cope with the growing number of pilgrims visiting the sites of holy relics across Europe. In France/Spain, for instance, massive archways were built to cope with the huge devout crowds on the El Camino de Santiago, the pilgrimage route to the Cathedral of Santiago de Compostela (1075-1211) in Galicia, northwestern Spain, where the remains of the apostle Saint James are reportedly interred. Other Romanesque churches on the route included St Etienne Pilgrimage Church (1063, Nevers), and Saint-Sernin Pilgrimage Church (1120, Toulouse).

One of the greatest honors and responsibilities a Christian leader can have is to be designated a pastor or shepherd in God's family. While only a few truly qualify biblically to be recognized as shepherds over God's flock (see Acts 20; 1Tim 3; Titus 1), a shepherding concern for others is important for all of us. Let's demand that those who are selected as our Shepherds have the integrity of heart and proven skill in caring for people. And when they lead, let's give them our support in effort, prayer, and ministry. Scripture Art

In 313, after almost three centuries of precarious existence (and a tradition of art limited to rings, seals, plus some paintings in the catacombs), Christianity was finally permitted to exist. In this year, the Roman Emperors Constantine and Licinius issued the Edict of Milan, which legalized Christian worship. Then, in 380, Christianity's future was assured when Emperor Theodosius I, the last Roman Emperor to rule over all the empire, declared that henceforth it was the empire's sole authorized religion. During the 5th century, under pressure from barbarian attacks, the Roman Empire split into two halves: east and west. The eastern half, centered on Constantinople, adopted the Eastern Orthodox Church, becoming world-famous for its icon painting and mosaics; the western half remained in Rome, and continued to follow the Roman Church. The latter blossomed under Charlemagne and the Ottonians, and fully re-established itself with its huge building campaign of Romanesque and Gothic cathedrals (c.1000-1350). Later, in 1517, the Dutch pastor Luther launched the religous revolution, known as the Reformation, culminating in the formation of a more modest, less hierarchical form of Christianity, known as Protestantism, since when the Roman Church has been referred to as Roman Catholicism. Christian art encompasses both Roman Catholicism and Protestantism, as well as the earlier offshoot, the Eastern Orthodox Church.


A devout Catholic, the Flemish artist Peter Paul Rubens became the most influential exponent of Counter-Reformation painting in Northern Europe. Famous for his large-scale religious and history paintings, full of sensuous colour and drama, he socialized in the leading circles of European society as both an artist and diplomat. Despite the distance separating Rubens from the ordinary churchgoer, some of his Catholic pictures, like the celebrated triptych Descent from the Cross (Rubens) (1612), are intensely moving, and his impact on later painters was enormous. See also: Samson and Delilah (1610). Christian Canvas Art

Until the legalization of Christianity in 313, early Christian art was relatively scarce. It included fresco painting on the walls of some of the catacombs (burial sites outside the city walls), and "house-church" meeting places; a number of simple architectural designs for structures (martyrium) erected over the graves of martyrs; and a number of sarcophagi, carved with various emblems or reliefs of Jesus, Mary and other biblical figures. In these early times, when Christians were still being persecuted, most Christian Roman art remained (literally) part of an underground culture. What's more, Christianity (along with the imagery used to symbolize or illustrate it) was still evolving from a secret society (whose images were intelligible only to the initiated few) to a public organization (whose imagery was understood by all). Thus, to begin with, Christian painting and, in particular, early Christian sculpture used motifs from both Roman and Greek art: the image of "Christ in Majesty", for instance, derives from both Roman Imperial portraits and portrayals of the Greek God Zeus. It took centuries for Christian iconography to be standardized, and to harmonize with Biblical texts.

What does the Bible say about creativity? The very first verse of Scripture actually describes a creative act as "God created the heavens and the earth." Additionally, from Genesis, the Bible says, "God created man in his own image." This could be interpreted as we are creators just as God created us. We create relationships, art, homes, cities, nations and many more things including inventions even yet to be known! The creative spirit is certainly favored by God and our fellow man. Learn more from the collection of Bible verses about creativity below! Christian Canvas Art
He measured the length of the building along the front of the separate area behind it, with a gallery on each side, a hundred cubits; he also measured the inner nave and the porches of the court. The thresholds, the latticed windows and the galleries round about their three stories, opposite the threshold, were paneled with wood all around, and from the ground to the windows (but the windows were covered), over the entrance, and to the inner house, and on the outside, and on all the wall all around inside and outside, by measurement.read more.

“See, I have called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, to work in every craft. And behold, I have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan. And I have given to all able men ability, that they may make all that I have commanded you: ...
After El Greco came Francisco de Zurbaran (1598-1664), an artist strongly influenced by Spanish Quietism, who specialized in large-scale sacred paintings for Religious Orders like the Carthusians, Capuchins, Dominicans, and others. Zurburan's contemporary Jusepe Ribera (1591-1652) was a key figure in the Neapolitan School of Painting (1600-56), and an early follower of Caravaggio. Works by both these painters are famous for their visual truthfulness, bold chiaroscuro and tenebrism, which gave them great drama and intensity. See also: Christ Crucified (1632) by Diego Velazquez. Christian Gifts
The Catholic Church launched the Counter-Reformation to fight for the hearts and minds of those Christians who had 'gone over' to Protestantism. To this end, the Society of Jesus (Societas Jesu) - founded by S. Ignatius Loyola and commonly known as the Jesuits - was formally established in 1540 by Pope Paul III, as an important teaching body and missionary order. Jesuit art was suitably inspirational. First, the architect Giacomo Barozzi (Vignola) was commissioned to design a church for the new order - The Church of the Holy Name of Jesus (Il Gesu) (1568-73) - for which the Baroque painter Giovanni Battista Gaulli painted the fabulous trompe l'oeil ceiling frescoes. Another Jesuit church, the San Ignazio, was the setting for what is arguably the greatest example of quadratura painting ever created - The Triumph and Apotheosis of St Ignatius of Loyola (1691-4) by Andrea Pozzo. There exists no greater exemplar of Counter-Reformation painting, and no better example of the differences between Protestant and Catholic art.
From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes.
and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. "And behold, I Myself have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan; and in the hearts of all who are skillful I have put skill, that they may make all that I have commanded you: the tent of meeting, and the ark of testimony, and the mercy seat upon it, and all the furniture of the tent, the table also and its utensils, and the pure gold lampstand with all its utensils, and the altar of incense, the altar of burnt offering also with all its utensils, and the laver and its stand, Christian Gifts
Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, to devise artistic designs, to work in gold and silver and bronze, in cutting stones for setting, and in carving wood, for work in every skilled craft. And he has inspired him to teach, both him and Oholiab the son of Ahisamach of the tribe of Dan. ... Christian Canvas Art
and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. "And behold, I Myself have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan; and in the hearts of all who are skillful I have put skill, that they may make all that I have commanded you: the tent of meeting, and the ark of testimony, and the mercy seat upon it, and all the furniture of the tent, the table also and its utensils, and the pure gold lampstand with all its utensils, and the altar of incense, the altar of burnt offering also with all its utensils, and the laver and its stand,
Byzantine art, that is the art of the Eastern Orthodox Church - the form of Christianity that emerged in Constantinople (previously called Byzantium, now called Istanbul), headquarters of the Roman Empire in the east - was the first category of Christian art to really blossom. An expression of the theocratic state that it represented, Christian Byzantine art specialized in architecture, mosaic art, mural and icon painting. Byzantine artists also excelled at items of jewellery, goldsmithing and ivories, and produced the earliest illuminated manuscript, or codex.
Ravenna remains the best single source of surviving mosaics. These include: Christ as the Good Shepherd mosaic (450, Mausoleum of Galla Placidia); the Baptism of Christ mosaic (6th century, Arian Baptistery); the Queen Theodora mosaic (547, Basilica San Vitale); Christ Before Pontius Pilate mosaic (550, Sant'Apollinare Nuovo, Classe). In Istanbul, see the floor mosaics (400-550) at the Imperial Palace; the South Gallery mosaics (c.1260) in Hagia Sophia; and the Dormition of Mary mosaic (1310, Church of the Chora Monastery). Elsewhere in the Byzantine Empire, see the mosaics at Hagios Demetrios (650) in Saloniki; and the outstanding early 12th century apse mosaics in Torcello Cathedral, Venice. Share Your Faith Products
David built houses for himself in the city of David. And he prepared a place for the ark of God and pitched a tent for it. Then David said that no one but the Levites may carry the ark of God, for the Lord had chosen them to carry the ark of the Lord and to minister to him forever. And David assembled all Israel at Jerusalem to bring up the ark of the Lord to its place, which he had prepared for it. And David gathered together the sons of Aaron and the Levites: of the sons of Kohath, Uriel the chief, with 120 of his brothers; ... Christian Canvas Art

The word that came to Jeremiah from the Lord: “Arise, and go down to the potter's house, and there I will let you hear my words.” So I went down to the potter's house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter's hand, and he reworked it into another vessel, as it seemed good to the potter to do. Then the word of the Lord came to me: ... Christian Canvas Art


Since its beginnings during the first century of the Roman Empire, Christianity has spread around the world to become the principal religion, value-system, and social agenda of mankind: at least until the 20th century. Run first by Christ and the Apostles, it gradually gave birth to its own hierarchical organization, the Christian Church, which over time became the largest and most influential patron of the arts. Indeed, from the outset, the Christian Church used many different types of art in order to create an identity for itself, increase its power and thus attract worshippers. In the process it developed its own Christian iconography, relying heavily on architecture (cathedrals, churches, monasteries), sculpture (statues of the Holy Family, as well as prophets, apostles, saints), painting (altarpieces, church murals), decorative art (stained glass, mosaics) and illuminated manuscripts (Gospels, psalters). In fact, during the early 16th century, the Church commissioned so much Biblical art - using money raised through higher taxes, and the 'sale' of benefices and indulgences - that it led to widespread protests: protests that coalesced into the Reformation, and the division of the Church into Roman Catholic and Protestant. Even so, one can say that, in the West at least, the history of art is the history of Christian art.
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days.
Mosaic art was the most important feature of Byzantine art for almost a thousand years: comparable with sculpture in Ancient Greece, the painted panel of the Northern Renaissance, or the altarpiece in 16th century Venice. Shimmering in the candlelight and sometimes decorated in gold leaf, these exquisite glass jigsaws were governed by rigid rules as to colour, size and composition, mosaics had two key aims: to beautify the house of the Lord (and overawe the spectator), and to educate illiterate worshippers in the Gospel story. The individual mosaic pieces (tesserae) were often deliberately set unevenly, to create movement of light and colour. Christian Gifts

Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, to devise artistic designs, to work in gold and silver and bronze, in cutting stones for setting, and in carving wood, for work in every skilled craft. And he has inspired him to teach, both him and Oholiab the son of Ahisamach of the tribe of Dan. ... Christian Canvas Art
Many are the plans in the mind of a man, but it is the purpose of the Lord that will stand. What is desired in a man is steadfast love, and a poor man is better than a liar. The fear of the Lord leads to life, and whoever has it rests satisfied; he will not be visited by harm. The sluggard buries his hand in the dish and will not even bring it back to his mouth. Strike a scoffer, and the simple will learn prudence; reprove a man of understanding, and he will gain knowledge. ... Christian Canvas Art
Ravenna remains the best single source of surviving mosaics. These include: Christ as the Good Shepherd mosaic (450, Mausoleum of Galla Placidia); the Baptism of Christ mosaic (6th century, Arian Baptistery); the Queen Theodora mosaic (547, Basilica San Vitale); Christ Before Pontius Pilate mosaic (550, Sant'Apollinare Nuovo, Classe). In Istanbul, see the floor mosaics (400-550) at the Imperial Palace; the South Gallery mosaics (c.1260) in Hagia Sophia; and the Dormition of Mary mosaic (1310, Church of the Chora Monastery). Elsewhere in the Byzantine Empire, see the mosaics at Hagios Demetrios (650) in Saloniki; and the outstanding early 12th century apse mosaics in Torcello Cathedral, Venice. Christian Canvas Art
“You saw, O king, and behold, a great image. This image, mighty and of exceeding brightness, stood before you, and its appearance was frightening. The head of this image was of fine gold, its chest and arms of silver, its middle and thighs of bronze, its legs of iron, its feet partly of iron and partly of clay. As you looked, a stone was cut out by no human hand, and it struck the image on its feet of iron and clay, and broke them in pieces. Then the iron, the clay, the bronze, the silver, and the gold, all together were broken in pieces, and became like the chaff of the summer threshing floors; and the wind carried them away, so that not a trace of them could be found. But the stone that struck the image became a great mountain and filled the whole earth. Christian Gifts
Artists were commissioned more secular genres like portraits, landscape paintings and because of the revival of Neoplatonism, subjects from classical mythology. In Catholic countries, production continued, and increased during the Counter-Reformation, but Catholic art was brought under much tighter control by the church hierarchy than had been the case before. From the 18th century the number of religious works produced by leading artists declined sharply, though important commissions were still placed, and some artists continued to produce large bodies of religious art on their own initiative. Christian Canvas Art
He also made two pillars for the front of the house, thirty-five cubits high, and the capital on the top of each was five cubits. He made chains in the inner sanctuary and placed them on the tops of the pillars; and he made one hundred pomegranates and placed them on the chains. He erected the pillars in front of the temple, one on the right and the other on the left, and named the one on the right Jachin and the one on the left Boaz.
"You shall take two onyx stones and engrave on them the names of the sons of Israel, six of their names on the one stone and the names of the remaining six on the other stone, according to their birth. "As a jeweler engraves a signet, you shall engrave the two stones according to the names of the sons of Israel; you shall set them in filigree settings of gold.read more.
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished.

“You saw, O king, and behold, a great image. This image, mighty and of exceeding brightness, stood before you, and its appearance was frightening. The head of this image was of fine gold, its chest and arms of silver, its middle and thighs of bronze, its legs of iron, its feet partly of iron and partly of clay. As you looked, a stone was cut out by no human hand, and it struck the image on its feet of iron and clay, and broke them in pieces. Then the iron, the clay, the bronze, the silver, and the gold, all together were broken in pieces, and became like the chaff of the summer threshing floors; and the wind carried them away, so that not a trace of them could be found. But the stone that struck the image became a great mountain and filled the whole earth. Share Your Faith Products
In addition, there are numerous expressionist works by the French Catholic painter Georges Rouault, notably his series of The Holy Face, the Crucifixion and Christ Mocked, which make him one of the most important Christian artists of the 20th century. A similar accolade could be bestowed on the Russian fantasy painter Marc Chagall, whose imaginative Jewish art and scenes from the Old Testament were followed later by his series on religious themes - The Bible Message - now on display at the Cimiez Museum, in Nice. Chagall also produced a number of stained-glass designs for the cathedrals of Metz (1968), and Reims (1974), as well as the Hadassah Synagogue near Jerusalem. In addition, he was noted for the tapestry art that he designed for the Knesset. Christian Canvas Art
A third type of Christian art which appeared in Ireland during the Middle Ages was High Cross Sculpture (c.750-1150 CE). Consisting of different-sized monuments, all based on the standard design of the Celtic-Cross. Decorated either with abstract patterns or narrative scenes from the bible (rarely both), these monuments constitute the most important set of free-standing sculpture produced between the fall of Rome (c.450) and the start of the Italian Renaissance (c.1400). Scripture Art
Moses assembled all the congregation of the people of Israel and said to them, “These are the things that the Lord has commanded you to do. Six days work shall be done, but on the seventh day you shall have a Sabbath of solemn rest, holy to the Lord. Whoever does any work on it shall be put to death. You shall kindle no fire in all your dwelling places on the Sabbath day.” Moses said to all the congregation of the people of Israel, “This is the thing that the Lord has commanded. Take from among you a contribution to the Lord. Whoever is of a generous heart, let him bring the Lord's contribution: gold, silver, and bronze; ...
Only in the New World were significant numbers of new churches erected. The type of architecture chosen was generally revivalist: see, for instance, the neoclassical-style Baltimore Basilica (1806-21), the first Roman Catholic Cathedral in the United States, designed by Benjamin Henry Latrobe; the decorated Gothic-style St Patrick's Cathedral, New York (1858-79), designed by James Renwick; Richard Upjohn's Trinity Church, New York (1841-6), another masterpiece of Gothic revivalism; and Trinity Church, Boston (1872-77), designed by Henry Hobson Richardson in a revivalist Romanesque style. Share Your Faith Products
"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father.
For I want you to know how great a struggle I have for you and for those at Laodicea and for all who have not seen me face to face, that their hearts may be encouraged, being knit together in love, to reach all the riches of full assurance of understanding and the knowledge of God's mystery, which is Christ, in whom are hidden all the treasures of wisdom and knowledge. I say this in order that no one may delude you with plausible arguments. For though I am absent in body, yet I am with you in spirit, rejoicing to see your good order and the firmness of your faith in Christ. ... Scripture Art
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