It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds. Share Your Faith Products
Until the legalization of Christianity in 313, early Christian art was relatively scarce. It included fresco painting on the walls of some of the catacombs (burial sites outside the city walls), and "house-church" meeting places; a number of simple architectural designs for structures (martyrium) erected over the graves of martyrs; and a number of sarcophagi, carved with various emblems or reliefs of Jesus, Mary and other biblical figures. In these early times, when Christians were still being persecuted, most Christian Roman art remained (literally) part of an underground culture. What's more, Christianity (along with the imagery used to symbolize or illustrate it) was still evolving from a secret society (whose images were intelligible only to the initiated few) to a public organization (whose imagery was understood by all). Thus, to begin with, Christian painting and, in particular, early Christian sculpture used motifs from both Roman and Greek art: the image of "Christ in Majesty", for instance, derives from both Roman Imperial portraits and portrayals of the Greek God Zeus. It took centuries for Christian iconography to be standardized, and to harmonize with Biblical texts. Christian Canvas Art

Then I saw another beast rising out of the earth. It had two horns like a lamb and it spoke like a dragon. It exercises all the authority of the first beast in its presence, and makes the earth and its inhabitants worship the first beast, whose mortal wound was healed. It performs great signs, even making fire come down from heaven to earth in front of people, and by the signs that it is allowed to work in the presence of the beast it deceives those who dwell on earth, telling them to make an image for the beast that was wounded by the sword and yet lived. And it was allowed to give breath to the image of the beast, so that the image of the beast might even speak and might cause those who would not worship the image of the beast to be slain. ... Christian Gifts
In addition, there are numerous expressionist works by the French Catholic painter Georges Rouault, notably his series of The Holy Face, the Crucifixion and Christ Mocked, which make him one of the most important Christian artists of the 20th century. A similar accolade could be bestowed on the Russian fantasy painter Marc Chagall, whose imaginative Jewish art and scenes from the Old Testament were followed later by his series on religious themes - The Bible Message - now on display at the Cimiez Museum, in Nice. Chagall also produced a number of stained-glass designs for the cathedrals of Metz (1968), and Reims (1974), as well as the Hadassah Synagogue near Jerusalem. In addition, he was noted for the tapestry art that he designed for the Knesset. Scripture Art
Solomon the son of David established himself in his kingdom, and the Lord his God was with him and made him exceedingly great. Solomon spoke to all Israel, to the commanders of thousands and of hundreds, to the judges, and to all the leaders in all Israel, the heads of fathers' houses. And Solomon, and all the assembly with him, went to the high place that was at Gibeon, for the tent of meeting of God, which Moses the servant of the Lord had made in the wilderness, was there. (But David had brought up the ark of God from Kiriath-jearim to the place that David had prepared for it, for he had pitched a tent for it in Jerusalem.) Moreover, the bronze altar that Bezalel the son of Uri, son of Hur, had made, was there before the tabernacle of the Lord. And Solomon and the assembly sought it out. ... Christian Gifts

"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father.
The Orthodox Church of Constantinople, which enjoyed greater stability within the surviving Eastern Empire was key in commissioning imagery there and glorifying Christianity. As a stable Western European society emerged during the Middle Ages, the Catholic Church led the way in terms of art, using its resources to commission paintings and sculptures. Christian Gifts
"You shall make two cherubim of gold, make them of hammered work at the two ends of the mercy seat. "Make one cherub at one end and one cherub at the other end; you shall make the cherubim of one piece with the mercy seat at its two ends. "The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat.read more. Christian Gifts

Protestantism taught a low-key, personal form of worship that focused on the direct relationship between God and man, without making a fuss about go-betweens like Popes, Bishops and other church employees. It also placed little or no importance on decorative or ceremonial aspects of religion. Because of all this, Protestant art favoured low-key moralistic depictions of ordinary day-to-day life, or simple narrative scenes from the Bible, rather than dramatic theological scenes involving the Passion, Crucifixion and Resurrection of Christ. Other acceptable scenes included depictions of sinners forgiven by Christ, in line with the Protestant view that salvation is only possible through the grace of God. Protestant art also tended to be smaller-scale than Catholic art, reflecting a more modest, personal approach to religion. For the same reason, book illustration and prints became more popular, while Catholic paintings and sculptures became the object of physical iconclastic attacks, as exemplified by the beeldenstorm, an episode of mob destruction which broke out in 1556. But Protestant church authorities were equally aware of the power of art to educate and influence worshippers. As a result they made maximum use of various forms of printmaking, which allowed images to be made widely available to the public at a very low cost. Christian Canvas Art
Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ...
Many of these genre paintings contained subtle moral messages about how to live a Christian life, as well as not so subtle messages about the dangers of vice. This low-key Protestant iconography was a complete contrast to the intense Biblical scenes, such as the Crucifixion and the Lamentation, favoured by Catholic art. Still lifes provided another example of this moralistic art. Known as Vanitas painting, this genre consisted of arrangements of food and other objects laid out on a table, complete with symbolic messages that frowned upon gluttony and sensual indulgence. There were two varieties of vanitas paintings: "banquet pieces" (pronkstilleven), or "breakfast pieces" (ontbijtjes). Exponents of pronkstilleven included: Harmen van Steenwyck (1612-56), Jan Davidsz de Heem (1606-84) and Willem Kalf (1622-93). While the leading practitioners of ontbijtjes included: Willem Claesz Heda (1594-1680) and Pieter Claesz (1597-1660). Christian Canvas Art
Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, to devise artistic designs, to work in gold and silver and bronze, in cutting stones for setting, and in carving wood, for work in every skilled craft. And he has inspired him to teach, both him and Oholiab the son of Ahisamach of the tribe of Dan. ... Christian Canvas Art
Huram also made the pails, the shovels and the bowls. So Huram finished doing the work which he performed for King Solomon in the house of God: the two pillars, the bowls and the two capitals on top of the pillars, and the two networks to cover the two bowls of the capitals which were on top of the pillars, and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the pillars.read more.

A devout Catholic, the Flemish artist Peter Paul Rubens became the most influential exponent of Counter-Reformation painting in Northern Europe. Famous for his large-scale religious and history paintings, full of sensuous colour and drama, he socialized in the leading circles of European society as both an artist and diplomat. Despite the distance separating Rubens from the ordinary churchgoer, some of his Catholic pictures, like the celebrated triptych Descent from the Cross (Rubens) (1612), are intensely moving, and his impact on later painters was enormous. See also: Samson and Delilah (1610). Christian Canvas Art


Unless otherwise indicated, all content is licensed under a Creative Commons Attribution License. All Scripture quotations, unless otherwise indicated, are taken from The Holy Bible, English Standard Version. Copyright ©2001 by Crossway Bibles, a publishing ministry of Good News Publishers. Contact me: openbibleinfo (at) gmail.com. Cite this page: Editor: Stephen Smith. Publication date: May 9, 2019. Publisher: OpenBible.info. Scripture Art
"Make for yourself an ark of gopher wood; you shall make the ark with rooms, and shall cover it inside and out with pitch. "This is how you shall make it: the length of the ark three hundred cubits, its breadth fifty cubits, and its height thirty cubits. "You shall make a window for the ark, and finish it to a cubit from the top; and set the door of the ark in the side of it; you shall make it with lower, second, and third decks. Share Your Faith Products
Character Of WickedRevelation, Necessity Ofevangelism, nature ofSatan, Power OfSpiritual Warfare, Enemies InImagination, Evil SchemingPresent Evil AgeNames And Titles For SatanRevelation, Responses ToShiningUnbelief, Nature And Effects OfLikenessFalse ReligionUnbelief, Sourced InSatan, As DeceiverSpiritual Blindness, Consequences OfPrincehood Of SatanSatanticImage Of God
The Roman Catholic Church responded to the Protestant Reformation with the Counter-Reformation. Catholic Counter-Reformation Art was designed to communicate the distinctive tenets of the Catholic liturgy and faith so as to strengthen the popularity of Catholicism. It was launched at the same time as Mannerist painting was taking hold in Italy - a highly expressive style that used distortion for effect, as exemplified in Parmigianino's picture Madonna with the Long Neck (1535, Uffizi). Concerned that Catholic art was attaching too much importance to decorative qualities, and not enough to religious values - thus negating its educational effects on churchgoers - the Catholic authorities decreed that Biblical art should be be direct and compelling in its narrative presentation, which itself should be accurate rather than fanciful, and should above all encourage piety. Nudity, and other inappropriate imagery was banned. For an example of a pious Mannerist artsist who adapted his style in line with the Church's teaching, see: Federico Barocci (1526-1612). Christian Canvas Art
“Then bring near to you Aaron your brother, and his sons with him, from among the people of Israel, to serve me as priests—Aaron and Aaron's sons, Nadab and Abihu, Eleazar and Ithamar. And you shall make holy garments for Aaron your brother, for glory and for beauty. You shall speak to all the skillful, whom I have filled with a spirit of skill, that they make Aaron's garments to consecrate him for my priesthood. These are the garments that they shall make: a breastpiece, an ephod, a robe, a coat of checker work, a turban, and a sash. They shall make holy garments for Aaron your brother and his sons to serve me as priests. They shall receive gold, blue and purple and scarlet yarns, and fine twined linen. ...
First built over the legendary burial site of St Peter, during the time of Emperor Constantine I, Saint Peter's Basilica is among the holiest of all Catholic sites. The current building was mostly designed by Donato Bramante, Michelangelo, Carlo Maderno and Bernini, and embodies the artistic transition from Renaissance to Baroque. Crowned by a 433-foot high dome, it is packed with priceless works of art, including Michelangelo's marble sculpture Pieta (1500), carved by the artist from a single block of Carrara marble at the age of 25. St. Peter's is strongly associated with the Early Christian church, the papacy, the Counter-Reformation and is considered to be the finest building of its age. Share Your Faith Products
Given its theocratic nature, it is perhaps not surprising that Byzantine culture is more noted for its icons than its murals. First appearing during the early 4th century, these small-scale devotional diptych panel paintings (sometimes called "travelling icons") of Jesus Christ, the Virgin Mary, or Saints, proved hugely popular. Church screens (iconostases) were filled with them, as were private homes. After the victory of the pro-figurative Iconodules over the Iconoclasts in 842, the production of icons increased dramatically, and the techniques of icon painting spread to Greece and Russia, notably to Kiev, Novgorod and Moscow. Famous examples of Byzantine icon paintings include: The Virgin Hodegetria (mid 5th century, Hodegon Monastery, Constantinople: now lost); St Peter (c.550, Monastery of St Catherine, Mount Sinai); St Michael (c.950-1000, Tesoro di San Marco, Venice); the Holy Virgin of Vladimir (c.1131, Tretyakov Gallery, Moscow); Madonna of Don Icon (c.1380, Tretyakov Gallery, Moscow) by Theophanes the Greek, founder of the Novgorod school of icon-painting (c.1100-1500); and Mother of God Hodigitria (1502-3) by Dionysius, an early master of the Moscow School of painting (c.1500-1700). Scripture Art
In 313, after almost three centuries of precarious existence (and a tradition of art limited to rings, seals, plus some paintings in the catacombs), Christianity was finally permitted to exist. In this year, the Roman Emperors Constantine and Licinius issued the Edict of Milan, which legalized Christian worship. Then, in 380, Christianity's future was assured when Emperor Theodosius I, the last Roman Emperor to rule over all the empire, declared that henceforth it was the empire's sole authorized religion. During the 5th century, under pressure from barbarian attacks, the Roman Empire split into two halves: east and west. The eastern half, centered on Constantinople, adopted the Eastern Orthodox Church, becoming world-famous for its icon painting and mosaics; the western half remained in Rome, and continued to follow the Roman Church. The latter blossomed under Charlemagne and the Ottonians, and fully re-established itself with its huge building campaign of Romanesque and Gothic cathedrals (c.1000-1350). Later, in 1517, the Dutch pastor Luther launched the religous revolution, known as the Reformation, culminating in the formation of a more modest, less hierarchical form of Christianity, known as Protestantism, since when the Roman Church has been referred to as Roman Catholicism. Christian art encompasses both Roman Catholicism and Protestantism, as well as the earlier offshoot, the Eastern Orthodox Church.

No other Italian artist embodied Catholic Baroque art better than Gianlorenzo Bernini, whose output of religious art included the sculptural masterpiece The Ecstasy of St.Teresa (1645–52), inside the specially designed Cornaro Chapel of the church of Santa Maria della Vittoria. The Baroque idiom spawned a melodramatic style of architecture, exemplified by Bernini's design for Saint Peter's Square (1656-67) and the approaches to St Peter's Basilica in Rome. A favourite of Urban VIII, and a rival of Francois Duquesnoy (1594-1643) and Alessandro Algardi (1598-1654), Bernini's stature in Rome (though not his creativity) was matched by that of the French-born Nicolas Poussin (1594-1665), the founder of French Classicism, whose religious paintings included The Martyrdom of St Erasmus (1628), The Plague on Ashdod (1630), The Israelite Gathering Manna in the Desert (1639), The Boy Moses Tramples the Pharaoh's Crown (1645), and The Holy Family on the Steps (1648).


Architectural sculpture was another important feature. Column statues and reliefs of figures from the Old Testament, as well as depictions of Christ and other members of the Holy Family, were commonplace. Gothic sculpture developed in a series of small creative steps. First came an increased realism, visibly different from the rather wooden look of the Romanesque idiom; then we see more graceful figures with soft drapery; then figures with a solid, upright appearance, with more restrained gestures. Finally came figures with dainty postures and thick drapery hanging in long V-shaped folds. Among the greatest sculptors were Nicola Pisano (c.1206-1278) and Arnolfo di Cambio (c.1240–1310).

Russian art of the 19th century produced some outstanding works of Christian painting. Leading painters included: the Ukrainian Anton Losenko (1737-73), Professor of History Painting at the St Petersburg Academy of Fine Arts (see his Renaissance-inspired works Miraculous Catch and Abraham's Sacrifice); and the influential Alexander Ivanov (1806-58), whose works included The Appearance of Christ to the People (1837-57) a huge canvas which took 20 years to complete. Later in the century, several members of the Itinerants group produced some remarkable Christian paintings, characterized by a unique spiritual intensity. They included: The Last Supper (1863) by Nikolai Gay; The Raising of Jairus's Daughter (1871) by Ilya Repin; Christ in the Wilderness (1872) and Laughter ("Hail, King of the Jews!") by Ivan Kramskoy; Christ and the Woman Taken in Adultery (1887) by Vasily Polenov. Christian Gifts

Paul, an apostle of Christ Jesus by the will of God, and Timothy our brother, To the saints and faithful brothers in Christ at Colossae: Grace to you and peace from God our Father. We always thank God, the Father of our Lord Jesus Christ, when we pray for you, since we heard of your faith in Christ Jesus and of the love that you have for all the saints, because of the hope laid up for you in heaven. Of this you have heard before in the word of the truth, the gospel, ... Christian Gifts
In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ...
It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds. Share Your Faith Products
And it will come about in that day, that every place where there used to be a thousand vines, valued at a thousand shekels of silver, will become briars and thorns. People will come there with bows and arrows because all the land will be briars and thorns. As for all the hills which used to be cultivated with the hoe, you will not go there for fear of briars and thorns; but they will become a place for pasturing oxen and for sheep to trample. Christian Canvas Art
In the four hundred and eightieth year after the people of Israel came out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month of Ziv, which is the second month, he began to build the house of the Lord. The house that King Solomon built for the Lord was sixty cubits long, twenty cubits wide, and thirty cubits high. The vestibule in front of the nave of the house was twenty cubits long, equal to the width of the house, and ten cubits deep in front of the house. And he made for the house windows with recessed frames. He also built a structure against the wall of the house, running around the walls of the house, both the nave and the inner sanctuary. And he made side chambers all around. ...
The most famous Romanesque churches and religious buildings include: Cluny Church II (981, Burgundy); Monastery Church of S. Pedro de Roda (1022, Catalonia); Abbey Church of St Michael, Hildesheim (1033, Germany); Ely Cathedral (1080, England); Pisa Cathedral (after 1083, Italy); La Grand Chartreuse Abbey (1084, Grenoble); Durham Cathedral (after 1093, England); Speyer Cathedral (1106, Germany); Abbey Church of Sainte-Foy (1120, France); Baptistery of St Giovanni, Florence (1128, Italy); Cluny Church III (1130, France); Mainz Cathedral (1137, Germany); Krak des Chevaliers (after 1142, Homs, Syria); Abbey Church of Fontenay (1147, France); Worms Cathedral (1200, Germany); and the Church of the Madeleine (1215, Vezelay).

Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice at wrongdoing, but rejoices with the truth. Love bears all things, believes all things, hopes all things, endures all things. Love never ends. As for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away. Christian Gifts
Russian art of the 19th century produced some outstanding works of Christian painting. Leading painters included: the Ukrainian Anton Losenko (1737-73), Professor of History Painting at the St Petersburg Academy of Fine Arts (see his Renaissance-inspired works Miraculous Catch and Abraham's Sacrifice); and the influential Alexander Ivanov (1806-58), whose works included The Appearance of Christ to the People (1837-57) a huge canvas which took 20 years to complete. Later in the century, several members of the Itinerants group produced some remarkable Christian paintings, characterized by a unique spiritual intensity. They included: The Last Supper (1863) by Nikolai Gay; The Raising of Jairus's Daughter (1871) by Ilya Repin; Christ in the Wilderness (1872) and Laughter ("Hail, King of the Jews!") by Ivan Kramskoy; Christ and the Woman Taken in Adultery (1887) by Vasily Polenov. Christian Canvas Art

Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ...
It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds.
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days. Share Your Faith Products

He made 300 shields of beaten gold, using three minas of gold on each shield, and the king put them in the house of the forest of Lebanon. Moreover, the king made a great throne of ivory and overlaid it with refined gold. There were six steps to the throne and a round top to the throne at its rear, and arms on each side of the seat, and two lions standing beside the arms. Twelve lions were standing there on the six steps on the one side and on the other; nothing like it was made for any other kingdom. All King Solomon's drinking vessels were of gold, and all the vessels of the house of the forest of Lebanon were of pure gold. None was of silver; it was not considered valuable in the days of Solomon.

So he made two doors of olive wood, and he carved on them carvings of cherubim, palm trees, and open flowers, and overlaid them with gold; and he spread the gold on the cherubim and on the palm trees. So also he made for the entrance of the nave four-sided doorposts of olive wood and two doors of cypress wood; the two leaves of the one door turned on pivots, and the two leaves of the other door turned on pivots. He carved on it cherubim, palm trees, and open flowers; and he overlaid them with gold evenly applied on the engraved work. Share Your Faith Products
"Now I am sending Huram-abi, a skilled man, endowed with understanding, the son of a Danite woman and a Tyrian father, who knows how to work in gold, silver, bronze, iron, stone and wood, and in purple, violet, linen and crimson fabrics, and who knows how to make all kinds of engravings and to execute any design which may be assigned to him, to work with your skilled men and with those of my lord David your father. Christian Gifts
No other Italian artist embodied Catholic Baroque art better than Gianlorenzo Bernini, whose output of religious art included the sculptural masterpiece The Ecstasy of St.Teresa (1645–52), inside the specially designed Cornaro Chapel of the church of Santa Maria della Vittoria. The Baroque idiom spawned a melodramatic style of architecture, exemplified by Bernini's design for Saint Peter's Square (1656-67) and the approaches to St Peter's Basilica in Rome. A favourite of Urban VIII, and a rival of Francois Duquesnoy (1594-1643) and Alessandro Algardi (1598-1654), Bernini's stature in Rome (though not his creativity) was matched by that of the French-born Nicolas Poussin (1594-1665), the founder of French Classicism, whose religious paintings included The Martyrdom of St Erasmus (1628), The Plague on Ashdod (1630), The Israelite Gathering Manna in the Desert (1639), The Boy Moses Tramples the Pharaoh's Crown (1645), and The Holy Family on the Steps (1648).
He made an altar of bronze, twenty cubits long and twenty cubits wide and ten cubits high. Then he made the sea of cast metal. It was round, ten cubits from brim to brim, and five cubits high, and a line of thirty cubits measured its circumference. Under it were figures of gourds, for ten cubits, compassing the sea all around. The gourds were in two rows, cast with it when it was cast. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east. The sea was set on them, and all their rear parts were inward. Its thickness was a handbreadth. And its brim was made like the brim of a cup, like the flower of a lily. It held 3,000 baths. ... Scripture Art
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