Please note: Although the exquisite framed and unframed Christian art prints, posters, and canvases displayed in our online Christian art gallery portray strong traditional family values, biblical themes, and God's wonderful creations; not all of the artwork is Christian. Since we have partnered with art.com and allposters.com who carry a vast inventory of secular artwork, please use discretion when searching for art. Christian Gifts
Belonging to the Romanticism wing of German 19th-Century art, the Nazarenes were a group of idealistic Vienna-trained painters, whose spiritual pictures recalled German medieval art and early Renaissance painting. Leading members included Friedrich Overbeck, Franz Pforr, Wilhelm von Schadow and Julius Schnorr von Carolsfeld. They were dubbed Nazarenes because of their biblical dress, long hair and devout way of life. Share Your Faith Products
Designed by Sir Christopher Wren, St Paul's is a Church of England cathedral which stands on the site of the original church, founded in 604. The seat of the Bishop of London, the cathedral was constructed as part of the major rebuilding program overseen by Wren, following the Great Fire of London. Its 365-foot high dome is one of the best-known sights of London. Christian Gifts
Then to Adam He said, "Because you have listened to the voice of your wife, and have eaten from the tree about which I commanded you, saying, 'You shall not eat from it'; Cursed is the ground because of you; In toil you will eat of it All the days of your life. "Both thorns and thistles it shall grow for you; And you will eat the plants of the field; By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return."
Now when the wall had been built and I had set up the doors, and the gatekeepers, the singers, and the Levites had been appointed, I gave my brother Hanani and Hananiah the governor of the castle charge over Jerusalem, for he was a more faithful and God-fearing man than many. And I said to them, “Let not the gates of Jerusalem be opened until the sun is hot. And while they are still standing guard, let them shut and bar the doors. Appoint guards from among the inhabitants of Jerusalem, some at their guard posts and some in front of their own homes.” The city was wide and large, but the people within it were few, and no houses had been rebuilt. Then my God put it into my heart to assemble the nobles and the officials and the people to be enrolled by genealogy. And I found the book of the genealogy of those who came up at the first, and I found written in it: ... Scripture Art
Thus says the Lord, “Go, buy a potter's earthenware flask, and take some of the elders of the people and some of the elders of the priests, and go out to the Valley of the Son of Hinnom at the entry of the Potsherd Gate, and proclaim there the words that I tell you. You shall say, ‘Hear the word of the Lord, O kings of Judah and inhabitants of Jerusalem. Thus says the Lord of hosts, the God of Israel: Behold, I am bringing such disaster upon this place that the ears of everyone who hears of it will tingle. Because the people have forsaken me and have profaned this place by making offerings in it to other gods whom neither they nor their fathers nor the kings of Judah have known; and because they have filled this place with the blood of innocents, and have built the high places of Baal to burn their sons in the fire as burnt offerings to Baal, which I did not command or decree, nor did it come into my mind— ... Scripture Art
A Psalm of David. The Lord is my shepherd; I shall not want. He makes me lie down in green pastures. He leads me beside still waters. He restores my soul. He leads me in paths of righteousness for his name's sake. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies; you anoint my head with oil; my cup overflows. ... Scripture Art
Comfort, comfort my people, says your God. Speak tenderly to Jerusalem, and cry to her that her warfare is ended, that her iniquity is pardoned, that she has received from the Lord's hand double for all her sins. A voice cries: “In the wilderness prepare the way of the Lord; make straight in the desert a highway for our God. Every valley shall be lifted up, and every mountain and hill be made low; the uneven ground shall become level, and the rough places a plain. And the glory of the Lord shall be revealed, and all flesh shall see it together, for the mouth of the Lord has spoken.” ... Share Your Faith Products
Moses assembled all the congregation of the people of Israel and said to them, “These are the things that the Lord has commanded you to do. Six days work shall be done, but on the seventh day you shall have a Sabbath of solemn rest, holy to the Lord. Whoever does any work on it shall be put to death. You shall kindle no fire in all your dwelling places on the Sabbath day.” Moses said to all the congregation of the people of Israel, “This is the thing that the Lord has commanded. Take from among you a contribution to the Lord. Whoever is of a generous heart, let him bring the Lord's contribution: gold, silver, and bronze; ...
And King Solomon sent and brought Hiram from Tyre. He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze. And he was full of wisdom, understanding, and skill for making any work in bronze. He came to King Solomon and did all his work. He cast two pillars of bronze. Eighteen cubits was the height of one pillar, and a line of twelve cubits measured its circumference. It was hollow, and its thickness was four fingers. The second pillar was the same. He also made two capitals of cast bronze to set on the tops of the pillars. The height of the one capital was five cubits, and the height of the other capital was five cubits. There were lattices of checker work with wreaths of chain work for the capitals on the tops of the pillars, a lattice for the one capital and a lattice for the other capital. ...
Only in the New World were significant numbers of new churches erected. The type of architecture chosen was generally revivalist: see, for instance, the neoclassical-style Baltimore Basilica (1806-21), the first Roman Catholic Cathedral in the United States, designed by Benjamin Henry Latrobe; the decorated Gothic-style St Patrick's Cathedral, New York (1858-79), designed by James Renwick; Richard Upjohn's Trinity Church, New York (1841-6), another masterpiece of Gothic revivalism; and Trinity Church, Boston (1872-77), designed by Henry Hobson Richardson in a revivalist Romanesque style. Scripture Art
The most famous Romanesque churches and religious buildings include: Cluny Church II (981, Burgundy); Monastery Church of S. Pedro de Roda (1022, Catalonia); Abbey Church of St Michael, Hildesheim (1033, Germany); Ely Cathedral (1080, England); Pisa Cathedral (after 1083, Italy); La Grand Chartreuse Abbey (1084, Grenoble); Durham Cathedral (after 1093, England); Speyer Cathedral (1106, Germany); Abbey Church of Sainte-Foy (1120, France); Baptistery of St Giovanni, Florence (1128, Italy); Cluny Church III (1130, France); Mainz Cathedral (1137, Germany); Krak des Chevaliers (after 1142, Homs, Syria); Abbey Church of Fontenay (1147, France); Worms Cathedral (1200, Germany); and the Church of the Madeleine (1215, Vezelay). Christian Gifts
“You shall make an altar on which to burn incense; you shall make it of acacia wood. A cubit shall be its length, and a cubit its breadth. It shall be square, and two cubits shall be its height. Its horns shall be of one piece with it. You shall overlay it with pure gold, its top and around its sides and its horns. And you shall make a molding of gold around it. And you shall make two golden rings for it. Under its molding on two opposite sides of it you shall make them, and they shall be holders for poles with which to carry it. You shall make the poles of acacia wood and overlay them with gold. ...
Immortal religious paintings from the Renaissance include: The Flagellation of Christ (1460) by Piero della Francesca; The Last Supper (1495-98) and The Virgin of the Rocks (1484) by Leonardo da Vinci; Lamentation over the Dead Christ (c.1490) by Andrea Mantegna; The Sistine Madonna (1513) and The Transfiguration (1518-20) by Raphael; The Assumption of the Virgin (1516-8) by Titian; the Assumption of the Virgin (Parma Cathedral) (1524-30) on the ceiling of the dome in Parma Cathedral by Correggio; The Wedding Feast at Cana (1563) and Feast in the House of Levi (1573) by Paolo Veronese; and The Crucifixion (1565) by Tintoretto. The greatest Christian Renaissance sculpture included: The Gates of Paradise (1425-52, Florence Baptistery) by Lorenzo Ghiberti; The Incredulity of St Thomas (1467) by Andrea Verrocchio; numerous items of devotional terracotta sculpture by the Florentine Della Robbia family; Pieta (1500), David (1504) and the Tomb of Pope Julius II (1505-45) by Michelangelo. But surely the most iconic Christian art of the 16th century must be the Sistine Chapel frescoes, painted by Michelangelo. These include The Genesis Fresco (1508-12) - see in particular The Creation of Adam (God Passing the Spark of Life).
The below Scriptures will offer encouragement in your daily life and provide inspiration and strength as you cope with life's challenges. God's plan for your life is that you have joy and live life to the fullest. If you are feeling overwhelmed, run down, and without hope, the Bible can lift your spirits and give you a fresh start! Read the below verses from the Holy Bible about encouragement and experience God's healing power for our soul. Meditate on these verses through the day and share them with your friends so you can make an impact on someone else's day! Christian Gifts
"You shall make two cherubim of gold, make them of hammered work at the two ends of the mercy seat. "Make one cherub at one end and one cherub at the other end; you shall make the cherubim of one piece with the mercy seat at its two ends. "The cherubim shall have their wings spread upward, covering the mercy seat with their wings and facing one another; the faces of the cherubim are to be turned toward the mercy seat.read more. Christian Canvas Art
David built houses for himself in the city of David. And he prepared a place for the ark of God and pitched a tent for it. Then David said that no one but the Levites may carry the ark of God, for the Lord had chosen them to carry the ark of the Lord and to minister to him forever. And David assembled all Israel at Jerusalem to bring up the ark of the Lord to its place, which he had prepared for it. And David gathered together the sons of Aaron and the Levites: of the sons of Kohath, Uriel the chief, with 120 of his brothers; ... Share Your Faith Products
Towards the end of the Gothic era, there emerged a rich style of art, among the royal courts of Europe, that acted as a kind of bridge between Gothic and Renaissance culture. Known as International Gothic (c.1375-1450), this style was exemplified by a range of Christian illuminations which reached their peak in works like Les Tres Riches Heures du Duc de Berry (1416) by the Limbourg Brothers (all died of plague, 1416); the Hours of the Marechal de Boucicaut, by Jacquemart de Hesdin (c.1355-1414), and The Missal of Jean des Martins by Enguerrand de Charenton (Quarton) (c.1410-1466). Christian Canvas Art
Ottonian architecture and culture overlaps considerably with Romanesque art, a term which in practice describes a new European-wide style of Christian architecture. It was the first great church-building campaign, initiated by Rome and by the new Christian Orders of monks, which included Cathedrals, abbeys, and parish churches. (In the UK, Romanesque is known as Norman architecture.) Romanesque architecture was inspired largely by classical Roman designs, and was characterized by a new monumentality, marking the growing stability of the age and the renaissance of European Christian culture after four centuries of darkness.
As it was, Byzantine architecture achieved its distinctive forms during the life of Justinian, who built four major churches in Constantinople, including: the Basilica of Saints Sergius and Bacchus (begun 526); the Basilica of Saint Irene (begun 532); the Basilica of the Apostles (536-46) - whose design was replicated in St Mark's Cathedral in Venice - and the greatest of all, the Basilica of Hagia Sophia (1532-37) (converted to a mosque in 1453, now a museum). Crowned by a massive dome whose weight was carried to corner piers by revolutionary concave triangular sections of stone, called pendentives, and decorated throughout with gold mosaics and multicoloured marble, the Hagia Sophia was the culmination of Roman architecture and a huge inspiration for later buildings throughout the Middle East, including the Sultan Ahmed Mosque. Share Your Faith Products
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD. Scripture Art
Ottonian architecture and culture overlaps considerably with Romanesque art, a term which in practice describes a new European-wide style of Christian architecture. It was the first great church-building campaign, initiated by Rome and by the new Christian Orders of monks, which included Cathedrals, abbeys, and parish churches. (In the UK, Romanesque is known as Norman architecture.) Romanesque architecture was inspired largely by classical Roman designs, and was characterized by a new monumentality, marking the growing stability of the age and the renaissance of European Christian culture after four centuries of darkness. Christian Gifts
Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around.read more.
It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds.
Flemish realism and precision is also evident in the work of German painters such as Stephan Lochner (The Last Judgement, 1440s), Lucas Cranach the Elder (Adam and Eve, 1528), Hans Baldung Grien (Altar of the Virgin Mary [The Freiburg Altarpiece], 1514), and Hans Holbein the Elder (Scenes from the Passion of Christ [The Kasheim Altarpiece], 1502). Other German masters include the expressionist Matthias Grunewald (Isenheim Altarpiece, 1510-15) and the versatile printmaker and painter Albrecht Durer (The Four Horsemen of the Apocalypse, 1498, woodcut), and Martin Schongauer (Madonna in the Rose Garden, 1473).
What does the Bible say about creativity? The very first verse of Scripture actually describes a creative act as "God created the heavens and the earth." Additionally, from Genesis, the Bible says, "God created man in his own image." This could be interpreted as we are creators just as God created us. We create relationships, art, homes, cities, nations and many more things including inventions even yet to be known! The creative spirit is certainly favored by God and our fellow man. Learn more from the collection of Bible verses about creativity below! Christian Canvas Art
Glory of ChristOther BlindingChrist's Own GloryAgeControlling Your ThoughtsUnbelieversPerfection, DivineCommitment, to the worldChrist, Names ForSatan, Kingdom OfSatan, Titles ForThe Light Of ChristDarkness, As A Symbol Of SinCultsRevelation, In Ntevil, origins ofSpiritual Warfare, Causes OfHeart, Fallen And RedeemedBlindingSpiritual Blindness, Results Of Sin
Glory of ChristChrist AtoningThe Effect Of The Word Of GodChrist's Own GloryimagepersonalityThe Beauty Of NatureGod On HighRight Hand Of GodRadiancyGod Sustaining CreationPower Of Christ, ShownHand Of GodGod, Living And Self sustainingRight SidesSalvation, Nature OfKnowledge, Of Jesus ChristCreatorGod's Glory In Jesus ChristMediatorGod, Power OfGod, Glory Of Christian Canvas Art
Russian art of the 19th century produced some outstanding works of Christian painting. Leading painters included: the Ukrainian Anton Losenko (1737-73), Professor of History Painting at the St Petersburg Academy of Fine Arts (see his Renaissance-inspired works Miraculous Catch and Abraham's Sacrifice); and the influential Alexander Ivanov (1806-58), whose works included The Appearance of Christ to the People (1837-57) a huge canvas which took 20 years to complete. Later in the century, several members of the Itinerants group produced some remarkable Christian paintings, characterized by a unique spiritual intensity. They included: The Last Supper (1863) by Nikolai Gay; The Raising of Jairus's Daughter (1871) by Ilya Repin; Christ in the Wilderness (1872) and Laughter ("Hail, King of the Jews!") by Ivan Kramskoy; Christ and the Woman Taken in Adultery (1887) by Vasily Polenov. Christian Gifts