It was carved with cherubim and palm trees; and a palm tree was between cherub and cherub, and every cherub had two faces, a man's face toward the palm tree on one side and a young lion's face toward the palm tree on the other side; they were carved on all the house all around. From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave. The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood And he said to me, "This is the table that is before the LORD." The nave and the sanctuary each had a double door. Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds. Scripture Art
After El Greco came Francisco de Zurbaran (1598-1664), an artist strongly influenced by Spanish Quietism, who specialized in large-scale sacred paintings for Religious Orders like the Carthusians, Capuchins, Dominicans, and others. Zurburan's contemporary Jusepe Ribera (1591-1652) was a key figure in the Neapolitan School of Painting (1600-56), and an early follower of Caravaggio. Works by both these painters are famous for their visual truthfulness, bold chiaroscuro and tenebrism, which gave them great drama and intensity. See also: Christ Crucified (1632) by Diego Velazquez. Christian Gifts
Other exceptional Christian paintings by modern artists include: The Angelus (1859) by the Barbizon realist Jean-Francois Millet; Christ Before Pilate (1881) by the Hungarian realist Mihaly Munkacsy; Christ's Triumphant Entry into Brussels in 1889 (1888), by James Ensor, leader of the Symbolism movement; The Christian Relic (1893) by the Spanish social realist painter Joaquin Sorolla; the unfinished Adam and Eve (1918) by the Viennese master Gustav Klimt; Ecce Homo (1925) by the German Expressionist Lovis Corinth; The Screaming Pope (1953) by Francis Bacon, inspired by Velazquez's Innocent X (1650); Mark Rothko's wall-paintings for the chapel at the St Thomas Catholic University in Houston; Crucifixion 3.85 (1985) by Antonio Saura, inspired by Velazquez's Crucifixion (1631). Share Your Faith Products
A Psalm of David. The Lord is my shepherd; I shall not want. He makes me lie down in green pastures. He leads me beside still waters. He restores my soul. He leads me in paths of righteousness for his name's sake. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies; you anoint my head with oil; my cup overflows. ... Share Your Faith Products
So he made two doors of olive wood, and he carved on them carvings of cherubim, palm trees, and open flowers, and overlaid them with gold; and he spread the gold on the cherubim and on the palm trees. So also he made for the entrance of the nave four-sided doorposts of olive wood and two doors of cypress wood; the two leaves of the one door turned on pivots, and the two leaves of the other door turned on pivots. He carved on it cherubim, palm trees, and open flowers; and he overlaid them with gold evenly applied on the engraved work. Scripture Art
The spiritual intensity achieved by Spanish painters was also seen in the works of Spanish sculptors, such as Alonso Berruguete (c.1486-1561) the greatest of all Renaissance sculptors in Spain, whose masterpieces include: the altarpiece for the monastery of La Mejorada Valladolid (1526), and the choir stalls in Toledo Cathedral (1539-43); Juan de Juni (1507-1577), noted for his emotive expressiveness, as in his two groups of the Entombment of Christ (1544 and 1571). Juan Martinez Montanes (the "God of Wood"), famous for his wooden crucifixes and religious figures, like The Merciful Christ (1603) and the Santiponce Altarpiece (1613); and Alonso Cano (the "Spanish Michelangelo"), whose masterwork is The Immaculate Conception (1655).
“Then bring near to you Aaron your brother, and his sons with him, from among the people of Israel, to serve me as priests—Aaron and Aaron's sons, Nadab and Abihu, Eleazar and Ithamar. And you shall make holy garments for Aaron your brother, for glory and for beauty. You shall speak to all the skillful, whom I have filled with a spirit of skill, that they make Aaron's garments to consecrate him for my priesthood. These are the garments that they shall make: a breastpiece, an ephod, a robe, a coat of checker work, a turban, and a sash. They shall make holy garments for Aaron your brother and his sons to serve me as priests. They shall receive gold, blue and purple and scarlet yarns, and fine twined linen. ... Share Your Faith Products
Only one major innovative example of Christian church architecture was built in Europe during the 19th century - the Sagrada Familia, Barcelona (1883), designed in a highly decorative neo-Gothic style by Antoni Gaudi. Celebrating the Holy Family and the mysteries of the Catholic faith, this extraordinary church with its tree-like formation of vaulted structures includes five towers and twelve campaniles. Made of stone and concrete, the building is embellished in parts with ceramic tiles, pompom finials and numerous sculptures, but is still not completely finished. Gaudi himself was inspired by the Arts and Crafts movement and was associated with the Catalan Modernista school. Scripture Art
Thus says the Lord, “Go, buy a potter's earthenware flask, and take some of the elders of the people and some of the elders of the priests, and go out to the Valley of the Son of Hinnom at the entry of the Potsherd Gate, and proclaim there the words that I tell you. You shall say, ‘Hear the word of the Lord, O kings of Judah and inhabitants of Jerusalem. Thus says the Lord of hosts, the God of Israel: Behold, I am bringing such disaster upon this place that the ears of everyone who hears of it will tingle. Because the people have forsaken me and have profaned this place by making offerings in it to other gods whom neither they nor their fathers nor the kings of Judah have known; and because they have filled this place with the blood of innocents, and have built the high places of Baal to burn their sons in the fire as burnt offerings to Baal, which I did not command or decree, nor did it come into my mind— ...
A third type of Christian art which appeared in Ireland during the Middle Ages was High Cross Sculpture (c.750-1150 CE). Consisting of different-sized monuments, all based on the standard design of the Celtic-Cross. Decorated either with abstract patterns or narrative scenes from the bible (rarely both), these monuments constitute the most important set of free-standing sculpture produced between the fall of Rome (c.450) and the start of the Italian Renaissance (c.1400). Christian Gifts
Paul, an apostle of Christ Jesus by the will of God, and Timothy our brother, To the saints and faithful brothers in Christ at Colossae: Grace to you and peace from God our Father. We always thank God, the Father of our Lord Jesus Christ, when we pray for you, since we heard of your faith in Christ Jesus and of the love that you have for all the saints, because of the hope laid up for you in heaven. Of this you have heard before in the word of the truth, the gospel, ... Christian Gifts
and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. "And behold, I Myself have appointed with him Oholiab, the son of Ahisamach, of the tribe of Dan; and in the hearts of all who are skillful I have put skill, that they may make all that I have commanded you: the tent of meeting, and the ark of testimony, and the mercy seat upon it, and all the furniture of the tent, the table also and its utensils, and the pure gold lampstand with all its utensils, and the altar of incense, the altar of burnt offering also with all its utensils, and the laver and its stand, the woven garments as well, and the holy garments for Aaron the priest, and the garments of his sons, with which to carry on their priesthood; the anointing oil also, and the fragrant incense for the holy place, they are to make them according to all that I have commanded you." The LORD spoke to Moses, saying, "But as for you, speak to the sons of Israel, saying, 'You shall surely observe My sabbaths; for this is a sign between Me and you throughout your generations, that you may know that I am the LORD who sanctifies you. 'Therefore you are to observe the sabbath, for it is holy to you. Everyone who profanes it shall surely be put to death; for whoever does any work on it, that person shall be cut off from among his people.
The porch which was in front of the house was as long as the width of the house, twenty cubits, and the height 120; and inside he overlaid it with pure gold. He overlaid the main room with cypress wood and overlaid it with fine gold, and ornamented it with palm trees and chains. Further, he adorned the house with precious stones; and the gold was gold from Parvaim.read more. Christian Gifts
The house that I am to build will be great, for our God is greater than all gods. But who is able to build him a house, since heaven, even highest heaven, cannot contain him? Who am I to build a house for him, except as a place to make offerings before him? So now send me a man skilled to work in gold, silver, bronze, and iron, and in purple, crimson, and blue fabrics, trained also in engraving, to be with the skilled workers who are with me in Judah and Jerusalem, whom David my father provided.
Protestant aesthetics achieved a highpoint during the Dutch Baroque era (c.1600-80). This period, known as the Golden Age of Dutch art, witnessed the ultimate development of the realist style adopted earlier by Flemish painters. Although portraits and landscapes were also popular, the period is best known as the high point of Dutch Realist genre painting, and what is known as still life painting (arranged tableaux). Leading genre painters of the Protestant Reformation came from a variety of schools. Adriaen van Ostade and the Catholic artist Jan Steen represented the Haarlem school; Jan Vermeer and Pieter de Hooch represented the Delft school; Hendrik Terbrugghen and Gerrit van Honthorst belonged to the Utrecht school; Gerrit Dou represented the Leiden school; Samuel van Hoogstraten and Nicolaes Maes were members of the Dordrecht school; and Carel Fabritius, Gerard Terborch, and Gabriel Metsu belonged to the Amsterdam school.
Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, to devise artistic designs, to work in gold and silver and bronze, in cutting stones for setting, and in carving wood, for work in every skilled craft. And he has inspired him to teach, both him and Oholiab the son of Ahisamach of the tribe of Dan. ... Christian Canvas Art
He also made two capitals of molten bronze to set on the tops of the pillars; the height of the one capital was five cubits and the height of the other capital was five cubits. There were nets of network and twisted threads of chainwork for the capitals which were on the top of the pillars; seven for the one capital and seven for the other capital. So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital. The capitals which were on the top of the pillars in the porch were of lily design, four cubits. There were capitals on the two pillars, even above and close to the rounded projection which was beside the network; and the pomegranates numbered two hundred in rows around both capitals. Thus he set up the pillars at the porch of the nave; and he set up the right pillar and named it Jachin, and he set up the left pillar and named it Boaz. On the top of the pillars was lily design. So the work of the pillars was finished. Now he made the sea of cast metal ten cubits from brim to brim, circular in form, and its height was five cubits, and thirty cubits in circumference. Under its brim gourds went around encircling it ten to a cubit, completely surrounding the sea; the gourds were in two rows, cast with the rest. It stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east; and the sea was set on top of them, and all their rear parts turned inward. It was a handbreadth thick, and its brim was made like the brim of a cup, as a lily blossom; it could hold two thousand baths. Then he made the ten stands of bronze; the length of each stand was four cubits and its width four cubits and its height three cubits. This was the design of the stands: they had borders, even borders between the frames, and on the borders which were between the frames were lions, oxen and cherubim; and on the frames there was a pedestal above, and beneath the lions and oxen were wreaths of hanging work. Now each stand had four bronze wheels with bronze axles, and its four feet had supports; beneath the basin were cast supports with wreaths at each side. Its opening inside the crown at the top was a cubit, and its opening was round like the design of a pedestal, a cubit and a half; and also on its opening there were engravings, and their borders were square, not round. The four wheels were underneath the borders, and the axles of the wheels were on the stand. And the height of a wheel was a cubit and a half. The workmanship of the wheels was like the workmanship of a chariot wheel. Their axles, their rims, their spokes, and their hubs were all cast. Now there were four supports at the four corners of each stand; its supports were part of the stand itself. On the top of the stand there was a circular form half a cubit high, and on the top of the stand its stays and its borders were part of it. He engraved on the plates of its stays and on its borders, cherubim, lions and palm trees, according to the clear space on each, with wreaths all around. He made the ten stands like this: all of them had one casting, one measure and one form. He made ten basins of bronze, one basin held forty baths; each basin was four cubits, and on each of the ten stands was one basin. Then he set the stands, five on the right side of the house and five on the left side of the house; and he set the sea of cast metal on the right side of the house eastward toward the south. Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; and the ten stands with the ten basins on the stands; and the one sea and the twelve oxen under the sea; and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. Solomon left all the utensils unweighed, because they were too many; the weight of the bronze could not be ascertained. Solomon made all the furniture which was in the house of the LORD: the golden altar and the golden table on which was the bread of the Presence; and the lampstands, five on the right side and five on the left, in front of the inner sanctuary, of pure gold; and the flowers and the lamps and the tongs, of gold; and the cups and the snuffers and the bowls and the spoons and the firepans, of pure gold; and the hinges both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the nave, of gold. Thus all the work that King Solomon performed in the house of the LORD was finished And Solomon brought in the things dedicated by his father David, the silver and the gold and the utensils, and he put them in the treasuries of the house of the LORD. Scripture Art
The Italian Early Baroque painter Caravaggio was one of the heroes of the Catholic Counter-Reformation arts campaign. Not because of his piety, but because he painted Christ, the Virgin Mary, the Apostles and Saints, with such unbelievable naturalism. Caravaggio's brand of unsophisticated realism was the perfect style for the Church's message. It gave key Biblical events an immediacy which no other painter had achieved. By abandoning the stylistic pretensions of late Mannerism - a style which was understood only by an educated minority, he provided the instant inspirational impact demanded by the Council of Trent. His greatest works include: The Calling of St Matthew (1600), The Martyrdom of St Matthew (1600), Conversion on the Way to Damascus (1601), Supper at Emmaus (1602), The Entombment of Christ (1601-3), The Crucifixion of St Peter (1601), and The Death of the Virgin (1601-6). His dramatic use of light and shadow was continued after his death by followers of so-called caravaggism.
With the fall of Rome and the disintegration of the Roman Empire, Western Europe entered the Dark Ages (400-800), a period of political uncertainty and cultural stagnation. The only possible unifying force was Christianity, but with Rome sacked and the Roman Church under pressure, its influence was limited. Only in Ireland, a country cut off from the European mainland, did Christianity flourish. In fact, Irish Monastic art and culture was critical in keeping alive the ideas of classical antiquity, as well as the message of the Bible. Early Medieval art in Ireland was dominated by the making of illuminated manuscripts, notably the Cathach of St. Columba (c.610), the Book of Durrow (c.650-80), the Lichfield Gospels (c.730), the Echternach Gospels (690-715), the Lindisfarne Gospels (698) and the stunning Book of Kells (800). Because of the country's ongoing tradition of Celtic art, most Irish manuscript illustrators used abstract Celtic designs, rather than figurative imagery preferred by Continental artists.
From about 1520, as the Northern Renaissance felt the impact of Luther's revolt against the corrupt practices of the Roman Church, a new set of aesthetics took hold, in the form of Protestant Reformation Art, which reflected the Christian agenda of the Protestant movement, which rejected the humanist art and ideology of the High Renaissance, and celebrated a more austere religious experience, with minimal decoration. As a result, the amount of religious art commissioned by Protestant Church authorities was hugely reduced, and artists in Protestant countries were forced to switch to secular forms like genre painting, portrait art, landscape painting, and still lifes. Scripture Art